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kim whanki works on paper

20th Century & Contemporary Art Evening Sale, PROPERTY FROM THE COLLECTION OF MATTHEW KIM AND CHAE KUM KIM, KIM WHAN-KI (1913-1974) Klimt Wassily Kandinsky Art Dégénéré Modern Art Contemporary Art Paul Klee Art August Macke Art Brut Art Abstrait. Upon his 1953 return to Seoul Kim developed paintings of jars and taught at the College of Fine Arts and Hongik University. The show primarily consisted of works on paper, but it also included a dozen canvases dated circa 1968. Kim Whanki. Sep 28, 2018 - View 07-Vlll-6834 by Kim Whan-Ki on artnet. These deep cobalt dots are quintessential qualities of the artist's final and most accomplished creative period which spanned from 1970 to 1974. In this lifelong journey of artistic and personal development, Kim consistently rooted his identity in the traditional culture and natural landscapes of his motherland, as he sought new forms of inspiration. Kim Whanki, Daegue Art Museum, Daegue, Korea Whanki’s Works on Paper, Whanki Museum, Seoul, Korea 2017 The Aesthetics of Colors, Whanki Museum, Seoul, Korea The lines that I draw could reach to the end of the sky, Whanki Museum, Seoul, Korea 2016 The Man is gone and the Art has remained, Whanki Museum, Seoul, Korea 2015 KIM WHANKI LINE • SURFACE • DOT, Gallery Hyundai, Seoul, … 1971 was an important year for Kim Whan-Ki as the artist began working on what is widely regarded as his masterpiece, the large-scale painting Universe. Whanki Kim was a Korean painter best known for his softly colored abstractions. With the popularity of Korean abstract art pioneer Kim Whanki (1913-74) increasing in the international auction market, an exhibition of 22 works created during Kim’s so-called New York period (1964-1974) is underway at Gallery Hyundai in central Seo Travel Destinations. Dansaekhwa is an art movement born in South Korea in the 1970s. During the three years that he spent as a foreigner in Paris, Kim devoted himself to the difficult question of how to embrace mainstream Western culture, while still adhering to his own experiences. Filter by auction house, media and more. Kim ceaselessly explored a variety of materials and accepted new influences from art and culture he encountered in New York, transforming them into unique style of his own, culminating in the creation of Universe. This book, Whanki: Une lumineuse traversée (Whanki: A Brilliant Passage) , published by the Fondation Whanki, Paris, in 1981, is an excellent resource on the work of Korean-born artist Kim Whanki… Kim's masterful control of blurring and the variation in tonality and washes generates an infinite depth of space and scalability. Kim Whanki, Daegue Art Museum, Daegue, Korea Whanki’s Works on Paper, Whanki Museum, Seoul, Korea 2017 The Aesthetics of Colors, Whanki Museum, Seoul, Korea The lines that I draw could reach to the end of the sky, Whanki Museum, Seoul, Korea 2016 The Man is gone and the Art has remained, Whanki Museum, Seoul, Korea 2015 KIM WHANKI LINE • SURFACE • DOT, Gallery Hyundai, Seoul, … The majority of his work is currently held by the Whanki Museum in Seoul, Korea. Kim synthesized the coloration of his early mentors in Paris and the formalism of the New York School in paintings that have luminosity and rhythm of their own. Kim combined Eastern insights and Western reasoning by employing both Korea’s distinctive features and western modernity, by integrating abstract and figurative features. Even though the two Kims were on different continents, their friendship grew stronger. It was during this time that Kim began to utilize dots in his works, sometimes even covering whole canvases with just dots, such as in Where and in What Form Are We to Meet Again? It is the only work that Kim Whan-Ki directly references in his diaries. Access more artwork lots and estimated & realized auction prices on MutualArt. Over the past 40 years, Universe has been in the collection of Dr. Matthew Kim, a friend and important collector of the artist's work, where it has remained ever since it was acquired directly from the artist the year it was painted. Anon. View artworks for sale by Whanki, Kim Kim Whanki (558, Korean). View 2-II-73 (1973) By Kim Whanki; oil on paper; 62×50.5cm; Signed; Edition. During the Korean War (1951-53) Kim fled Seoul and lived in a refugee camp. Although the Korean painter Kim Whanki (1913-1974) spent significant portions of his career in Paris as well as in Seoul, this recent exhibition, entitled "Oeuvres inedites 1963-1973," corresponded to a period when he lived and worked in New York. Mar 18, 2017 - Artwork by Kim Whanki, Untitled, Made of Oil on mulberry paper. Saved by Dominique. Dansaekhwa is deeply involved with the physicality of painting. Kim Whan-Ki's monumental canvas 05-IV-71 #200 (Universe) is widely regarded to be one of the most important paintings in the artist's oeuvre. Although the Korean painter Kim Whanki (1913–1974) spent significant portions of his career in Paris as well as in Seoul, this recent exhibition, entitled “Oeuvres inedites 1963–1973,” corresponded to a period when he lived and worked in New York. The importance of Universe is not only evident in its aesthetic beauty but also in the significance the piece held for the artist. Kim's philosophy that art should be drawn from nature and aim to return to nature became more and more mature, and the abstract patterns he painted during this time suggested landscapes, ripples and natural forms. Kim Whanki (1913 - 1974) Untitled 1963 Gouache on Paper H 12.75" x W 9.375 Signed and Dated Lower Left Sold. The National Museum of Contemporary Art, Seoul held a retrospective of his work in 1975. When his wife joined him the following year, Dr. Kim gave the couple the money for her airfare. Browse upcoming auctions and create alerts for artworks you are interested in. The show primarily consisted of works on paper, but it also included a dozen canvases dated circa 1968. Oct 1, 2018 - Whanki Kim was a Korean painter best known for his softly colored abstractions. View Kim Whan-Ki’s artworks on artnet. This lot is offered by Christie’s Inc. Kim Whanki (1913-1974) ... Kim’s works evolved towards greater simplicity and refinement. Description: Kim Whanki (1913-1974) Mountain and Moon Signed and dated Whanki 1964 Gouache on paper, framed and glazed 12 x 18½in. Untitled Sale, Christie’s New York, 18 September 2007, lot 443 Private Collection, Asia. The pioneers of Dansaekhwa are born between 1913 and 1936 and avoided any reference to Western realism in their works, creating primarily monochrome and minimalist paintings. Kim Whanki (1913-1974) Whanki Kim Heaven and Earth. View Untitled (1970) By Kim Whanki; Oil on mulberry paper; 58.4 x 33.0 cm; Signed; . He was lucky to have two talented artists as his teachers, the poet Kim Kirim and the painter Kim Hagun. In New York he had one-person exhibitions at the Asia House Gallery in 1964, the Tasca Gallery in 1966 and Poindexter Gallery in 1971 and 1973. From humble biographical works to weighty retrospectives, Kim’s presence is never far from any discussion concerning the art of Korea—but also its culture, its traditions and its philosophies: indeed, his is more than just a household name. Kim Whanki. In addition to being a supporter of the visual arts, Dr. Kim was an accomplished baritone; and as co-founder and Chairman of the Board of Directors of the Korea Music Foundation, he was able to cultivate and support Korean musicians in New York. A late Lee Jung-seop work – Fighting Bulls, – is coming up at Christie’s NY (14 Sept ). Kim's conscious decision to explore the opulence of the colour blue is perhaps due to the immense significance the colour holds in Korean culture. Saved from artsy.net. Universe was exhibited in the artist's exhibition at New York's Poindexter Gallery, after which Matthew Kim and his wife acquired the work, which became the centerpiece of their collection. December 2020. Nov 27, 2017 - Find artworks by Kim Whanki (Korean, 1913 - 1974) on MutualArt and find more works from galleries, museums and auction houses worldwide. As described in his poetic notation, "round sky, round jar/blue sky, white jar they are surely one pair," (Kim W., quoted in Yun Nanjie's essay "Modern Literary Painter Who Sang about Nature", Kim Whanki, Gyeonggi-do, 2012, p. 40) nature and tradition were equivalent to him in their potential to spark inspiration. While living in Paris from 1956 to 1959 he had two exhibitions in France: at M. Benezit Gallery in Paris and Muratore Gallery in Nice. Seoul, Korea, Whanki Museum, The Centennial Celebration of Kim Whanki’s Birth II: Kim Whanki, Chant for Eternity, 28th September – 31st December 2013. Lee Jung Seob: Fighting Bulls Oil on paper, ×cm. Kim combined Eastern insights and Western reasoning by employing both Korea’s distinctive features and western modernity, by integrating abstract and figurative features. The show primarily consisted of works on paper, but it also included a dozen canvases dated circa 1968. (30.5 x 21.5cm.) Kim Whanki (koreanisch 김환기; * 27. ), ‘We remember the story behind each piece’: The Siegmund Collection of American folk art, Jean-Etienne Liotard’s Portrait of Philibert Cramer — a masterpiece of the Enlightenment. They exposed the young Kim to the world of literature and painting, thus sowing the seeds of a lifelong interest in the arts. Drawing. In den westlichen Ländern wurden unterschiedliche Transliterationen seines Namens verwendet. Filled with poetic symmetry and pattern, Universe embodies the transcendent qualities Kim Whan-Ki sought to capture in these late paintings, displaying the artist's technical dexterity when controlling the density of paint to achieve a magnificent feeling of infinite space and depth. each panel: 254 x 127 cm. One of his closest and most enduring friendships would begin as a chance meeting in the street when he, Kim Malbong, and his then fiancée Chae Kum ran into the painter, Kim Whan-Ki. And double that for a gorgeous Kim Whanki Landscape in Blue. In thanks, Kim Whan-Ki gifted Dr. Kim his 1959 painting, Island Under the Moonlight. ), Whanki (Special Exhibition for the 13th Sao Paulo Biennial), exh. signed ‘whanki’, titled and dated ‘5-IV-71 #200’ and inscribed ‘New York (100 x 50)’ (on the reverse of the left panel); titled and dated ‘#200 5-IV-71’ and inscribed ‘100 x 50 R’ (on the reverse of the right panel) Kim Whanki FLIGHT 1913 - 1974 signed in English oil on canvas 62.9 by 92.7 cm; 24¾ by 36½ in. A late Lee Jung-seop work – Fighting Bulls, – is coming up at Christie’s NY (14 Sept ). KIM WHANKI (1913-1974) Untitled 8-IIII-71 signed and dated ‘Whanki 8-IIII-71’ (lower right) gouache on paper 56.5 x 42 cm. Best known for his works that epitomise archetypal Korean aesthetics, Kim Whan-Ki was a pioneering abstract artist of Korea. Biography edited partially from wikipedia Dr. Kim and Kim Whan-Ki soon became close friends. Barnett Newman's oversized monochrome paintings were another important inspiration to the Korean artist's later work. Browse Widewalls and discover more auction records by Kim Whanki, with prices and details of each lot! The Kims' home in New York became a gathering place for many members of the Korean art community, as the couple hosted regular dinners for their friends and family. 6 1/8 x 9¼in. After leaving his native Korea for the United States at the age of 25, Dr. Matthew Kim began a distinguished career in the medical profession, eventually becoming an accomplished surgeon in the New York City area. Browse upcoming and past auction lots by Kim Whan-Ki. Estimate: a cool million. (22 1/4 x 16 1/2 in.) Kim Whan-Ki was always a welcome guest and, with his gregarious laughter and mischievous sense of humor, he was often the center of attention. (100 x 100 in.) oil on cotton (diptych) The only diptych that the artist painted, the two canvases suggest duality - sun and moon, light and shadow, man and woman, yin and yang - embodying the contradictory yet complimentary forces that drive the world and make up the core energies of the universe. . British Museum Art Images. This painting represents the culmination of Kim's tenacity and devotion towards his art, which led him on an extremely difficult journey through Tokyo, Paris, and New York. Kim Whanki (1913-1974) Mountain and Moon Signed and dated Whanki 1964 Gouache on paper, framed and glazed 12 x 18½in. Upon his 1953 return to Seoul Kim developed paintings of jars and taught at the College of Fine Arts and Hongik University. Kim Whanki (1913-1974) Untitled Signed and dated Whanki 1969 Gouache on paper 6 1/8 x 9¼in. Featured works Featured works Thumbnails Kim Whanki (1913 - 1974) Untitled 1964 Gouache on Paper H 10.75" x W 9.375 Signed and Dated Lower Left Sold. Filling the dual canvases that make up 05-IV-71 #200 (Universe), blue is a colour most intimately linked with earth and virtue, emanating hope, life, integrity and spirit. These were years of anger and suffering, although Kim did complete some paintings. Signed and dated Whanki 1969 Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Kim’s earlier works, drawn in Seoul and Paris from 1930 to 1963, are exhibited in the main space while his abstract paintings, from New York between 1963 and 1974 are displayed in the new space. Born February 27, 1913, in the village of Eupdong-ri on the island of Anjwado, Sinan County, South Jeolla Province, Kim died in New York City, USA, on July 25, 1974. Lee Jung Seob: Fighting Bulls Oil on paper, ×cm. View 10-II-73 (1973) By Kim Whanki; Oil on korean paper; 22.6x18.3 in; Signed; . Kim merged traditional Korean subject matter with a Western style influenced by Fernand Léger and Mark Rothko. During the Korean War (1951-53) Kim fled Seoul and lived in a refugee camp. Access more artwork lots and estimated & realized auction prices on MutualArt. Februar 1913 auf der Insel Anjwado im Landkreis Sinan-gun, der Provinz Jeollanam-do, Korea; † 25. He belongs to the first generation of Korean abstract artists, mixing oriental concepts and ideals with abstraction. Kim Whanki, 金焕基 also Kim Whan-ki or Kim Hwan-gi (1913–1974, hangul: 김환기), was a pioneering abstract artist of Korea. As one of the great pioneers of abstract painting in Korean modern art history, this canvas is the culmination of a lifetime spent synthesizing aesthetics and philosophy to articulate the essence of nature through art. 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